Last edited by Vohn
Thursday, May 7, 2020 | History

6 edition of Music, science, and natural magic in seventeenth-century England found in the catalog.

Music, science, and natural magic in seventeenth-century England

by Penelope Gouk

  • 85 Want to read
  • 29 Currently reading

Published by Yale University Press in New Haven [Conn.] .
Written in English

    Places:
  • England
    • Subjects:
    • Music -- England -- 17th century -- Philosophy and aesthetics,
    • Music -- England -- 17th century -- Acoustics and physics,
    • Music and science,
    • Music and magic

    • Edition Notes

      StatementPenelope Gouk.
      Classifications
      LC ClassificationsML3800 .G66 1999
      The Physical Object
      Paginationxii, 308 p. :
      Number of Pages308
      ID Numbers
      Open LibraryOL53335M
      ISBN 100300073836
      LC Control Number99061811

      Music, Science and Natural Magic in Seventeenth-Century England. [REVIEW] Tom Dixon - - British Journal for the History of Science 33 (3) The Occult Laboratory: Magic, Science and Second Sight in Late Seventeenth-Century Scotland. Her publications include Music, Science and Natural Magic in Seventeenth-Century England () and edited volumes Musical Healing in Cultural Contexts () and, with Helen Hills Representing Emotions: New Connections in the Histories of Art, Music and Medicine ().

      The seventeenth century was a period of profound change in the history of music. In this volume Lorenzo Bianconi considers the radical developments of the century as long-lived musical traditions died out and others were created in response to new social functions. This period saw, for example, the flowering of the polyphonic madrigal and its subsequent decline in favour of a new concertato. The 17th and 18th centuries. After printing, the next significant influence on music performance was the gradual emergence of the audience, for the relationship between participants in the musical experience—between performer and listener—became polarized. The first evidence for this shift was the rise of the professional vocal virtuoso about the last quarter of the 16th century, and this.

      Probability and Certainty in Seventeenth-Century England. A Study of the Relationships Between Natural Science, Religion, History, Law, and Literature. William A. Wallace - - Author: Barbara J. Shapiro. On Galileo, see H. Floris Cohen, Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution (Dordrecht: D. Reidel, ), for later English theories, see Gouk, Music, Science and Natural Magic, and Jamie Croy Kassler, The Beginnings of the Modern Philosophy of Music in England: Francis North’s A Philosophical Essay of Music () with Comments of Isaac Newton Author: Penelope Gouk.


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Music, science, and natural magic in seventeenth-century England by Penelope Gouk Download PDF EPUB FB2

The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades.

Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Music Science and Natural Magic in Seventeenth-Century England, by Penelope Gouk. New Haven, Connecticut, Yale University Press, xii, pp. $ U.S. The path between a completed Ph.D.

dissertation and a published book whose readership might. Music, Science, and Natural Magic in Seventeenth-Century England. By Penelope Gouk. New Haven: Yale University Press, [xii, p. ISBN $] Several scholars have investigated the connection between music and magic in the Renaissance.

Find helpful customer reviews and review ratings for Music, Science, and Natural Magic in Seventeenth-Century England at Read honest and unbiased product reviews from our users.5/5. Get this from a library. Music, science and natural magic in seventeenth-century England. [Penelope Gouk] -- "The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades.

Now Penelope Gouk. The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains.

Arguing that changing musical Price: $ Penelope Gouk is the author of Music, Science, and Natural Magic in Seventeenth-Century And natural magic in seventeenth-century England book ( avg rating, 4 ratings, 0 reviews, published ), /5.

This book seeks to recover and recreate, to evoke and explain, the decline and fall of this once-preeminent elite."—David occurred This masterly book, written by a leading social historian, is the first serious and sustained attempt to study the remarkable history of the British aristocracy as it has unfolded during the last century.

Penelope Gouk. Music, Science, and Natural Magic in Seventeenth‐Century England. xii + pp., illus., bibl., Haven, Conn./London: Yale University Press. Music, Science, and Natural Magic in Seventeenth-Century England. By Penelope Gouk. New Haven: Yale University Press, [xii, p.

ISBN $] Several scholars have investigated the connection between music and magic in the Renaissance. One of the fundamental studies on this subject, D. Walker's Spiritual and Demonic. Buy Music, Science, and Natural Magic in Seventeenth-Century England First Edition by Gouk, Penelope (ISBN: ) from Amazon's Book Store.

Everyday low prices and free delivery on. Some of this research was first published in Gouk's Ph.D. dissertation, Music in the Natural Philosophy of the Early Royal Society. Since then, she has expanded upon this field with a number of edited essay collections and her book Music, Science, and Natural Magic in.

Musical Creativity in Restoration England is a database of 17th-century English music manuscripts. Many of the largest collections of seventeenth-century broadside ballads have been digitized in the English Broadside Ballad Archive created by the Early Modern Center in the English Department at the University of California, Santa Barbara.

Music, Science and Natural Magic in Seventeenth-Century England. By Penelope Gouk. New Haven and London: Yale University Press, [xii, pp. ISBN $] Reviewed by Thomas Christensen* 1. The Occult and the Scientific. Gouk’s Approach.

Newton and Music. References. The Occult and the Scientific. Music, Science and Natural Magic in Seventeenth-Century England. New Haven and London: Yale University Press, Reviewed by Thomas Christensen. DIANE KELSEY McCOLLEY.

Poetry and Music in Seventeenth-Century England. Cambridge: Cambridge University Press, Reviewed by Andrew R. Walkling. PETER WALLS. Music in the English Courtly Masque. Review of Penelope Gouk, Music, Science and Natural Magic in Seventeenth-Century England: Music and Letters Austern, L.

P.,Yale University Press. Research output: Other contribution. "PENELOPE GOUK, Music, Science and Natural Magic in Seventeenth-Century England, New Haven and London, Yale University Press,XII + pp. ill, (ISBN )." published on 01 Jan by : Ferdinando Abbri. that Music, Science and Natural Magic stretches the limits of the book as a communicative form as far as they were ever meant to be stretched.

California Institute of Technology ADRIAN JOHNS J. Cliffe. The World of the Country House in Seventeenth-Century England. New Haven, Conn.: Yale University Press. viii, n.p. ISBN Science, Optics and Music in Medieval and Early Modern Thought. London and Ronceverte: The Hambledon Press, Pp. xii +illus.

ISBN £ One can best appreciate the link-up between magic and science and the wisdom captured in the Arthur C. Clarke quote above, by rereading Mark Twain’s classic, A Connecticut Yankee in King Arthur’s Court.6 In Twain’s book, of course, late 19th century technology, e.g., electricity, firearms, was magic when transported to the England of King.

Music Theory in Seventeenth-Century England Music Theory in Seventeenth-Century England Music Theory in Seventeenth-Century England, by Rebecca Herissone. Oxford Monographs on Music. Oxford and New York: Oxford University Press, xvi, pp. Music Theory and Natural Order from the Renaissance to the Early Twentieth Century, edited by Suzannah.

Now my Charmes are all ore-throwne, And what strength I haue's mine owne. Which is most faint —William Shakespeare, The Tempest You might think from the title of Religion and the Decline of Magic that there is going to be some causal relationship between the two noun phrases: that this is a story of how religion grew as magic diminished.

But that is not at all the story being told in this /5.Christopher D. S. Field and Benjamin Wardhaugh’s critical edition of Birchensha’s writings on music from c to is a most welcome addition to the series Music Theory in Britain, Author: Benjamin Wardhaugh.